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ALL FOR ART (II) DUTIES AND RIGHTS

Here comes the second part of these reflections, I leave the link of the first for those who have arrived late.

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ALL FOR ART (II) DUTIES AND RIGHTS

But what about when it is impossible to conceive?

There are several ways that an author can not hide, remove the person's character, the place of the imaginary world, and that any attempt to hide someone or something falls on the futility. Telling a story of great fame it would be very difficult, these works are often subjected to numerous studies that reveal, however clever it is the writer, the identity of the characters. The very inability of a writer is a factor taken into account, as well as the economic intent. Finally, the phone would be on the simple desire to hurt emotionally.

However, would be unproductive to dwell on how or why he has plundered the privacy of a person, and that after all the result is always the same: the identity is discovered. The question would then be the following: Do we have the right writers tell stories of others?

Here comes the storm of ideas that emerged during the late summer, philosophizing on full entry of a global financial crisis, the responses are shown, multiple, nuanced, as twins who change their minds as clothing of lead each time.

is the "dependent" of each situation and by this token, many solutions will grow as written accounts (and those yet to write ) and this is quiz & # 225; s the only answer to the dilemma, every situation is different . Is not the same writing a story about a friend who only reach identify their circle of friends, to write, for example, a story of a public that achieves impact (negatively or positively) in a wider social circle. There are so many possibilities, so many looks, and so the words will never know the absolute truth of what is written, what happened and what was said: So is it a story appropriate moral persons?

A companion set a good example: because a painter can sit on a stool in front of a painting the more I jardíny ; minimum detail without fear of being accused of opportunism and short of ideas? Of course there have been-and there-repression in this profession, but has never become as strong as in the case of writers.

Ultimately, almost always return to the same question : Does the writer's duty or the right to write what you want? Continued

: ALL FOR THE ARTS (III) THE THREE QUESTIONS ---------------------------

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---------- Juan Manuel Rodriguez de Sousa

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